Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

17 April 2015

Current exhibition: Gaps + Overlaps, UCBA Gallery

GAPS AND OVERLAPS - COLLABORATIVE WORKS BY UCBA FACULTY

I currently have two video works on exhibition in the UCBA Gallery. They are both music video collaborations with singer/songer, friend, and colleague, Mike Roos.

http://www.ucblueash.edu/about/community/art-gallery/gaps-n-overlaps.html

Exhibit Dates

March 27, 2015 - May 1, 2015

Gallery Hours

Mon - Sat  10 a.m. - 2 p.m.

"Ship of Fools" by Mike Roos. Video design and editing by Matt Bennett and Mike Roos.



"Rich Man (Venus and Mars)" by Mike Roos.
Video design and editing by Matt Bennett and Mike Roos.


View the exhibition catalog at:
http://www.ucblueash.edu/about/community/art-gallery/gaps-n-overlaps/catalogue.html

17 May 2013

Fourth musical détournement on gender and media


Please support Peaches by purchasing this track through iTunes: 
https://itunes.apple.com/us/album/bur...

This is my fourth musical détournement involving gender and the media. This one is a critique of television's active construction of female-female conflict as entertainment. Television, as a patriarchal apparatus, has historically taught women to fight one another in an attempt to keep them from realizing the potential of their collusion.

It's Dynasty catfights.

The images and sounds in this video are the properties of the copyright holders. I mean in no way to infringe on their rights. The content is used solely for the purposes of criticism.

17 April 2013

Mad Rush


I am pleased to share the work of talented pianist and eMedia artist, Alex Farren, who is graduating from our program this semester. This video pairs stunning time-lapse footage and an interview at a dharma center with his musical performance of a piece Philip Glass composed for the Dalai Lama. It's like a mini-Koyaanisqatsi, only beter.

07 April 2013

Like a Riot


This is Betty Wut's first music compilation video constructed from found footage. It includes music from Moonbootica, The Rapture, and Battles.

07 March 2013

My Coulrophobia video


That was my contribution to the Coulrophobia Détournement Double project orchestrated by Betty Wut and myself. It is no way meant to be a competition, but instead complementary visual explorations on the same theme. The guidelines on the project are at:

http://matchcut.blogspot.com/2012/11/current-project-coulrophobia.html

It's taken me long enough to complete. And not a moment too soon-- the original coulrophobia video, clips of which were required in our videos, has been yanked from YouTube. Also, I have exactly one day left on my Adobe Premiere trial. Freddy has volunteered to download another trial for me under his account, so I hope to finish the three other video projects I've started.

25 February 2013

Betty Wut's Coulrophobia video


Betty Wut completed her contribution to the Coulrophobia Détournement Double video project some time ago. I only just convinced her to allow me to upload it to YouTube. I am still working on mine since I lost the original progress I had made in a VideoPad crash. I've been very insistent on using free/open-source video editing software, but I've broken down and used Adobe Premiere. I had to get the Airbrushed project out of my system before moving on, so I cut my teeth on the software for that.


Above is her compilation music video Yes...NO! constructed from found footage on YouTube. Enjoy!

17 February 2013

Third musical détournement on gender and media


Please support Fake Blood by purchasing this track through iTunes: https://itunes.apple.com/us/album/air...

The latest album, Cells, is also available through iTunes:https://itunes.apple.com/us/album/cel...

This is my third musical détournement involving gender and the media. This one is a critique of advertising's role in manufacturing "standards" of feminine beauty and socializing children into them.

It's make-up ads and toy commercials from the 1950s through the 1980s.

The images and sounds in this video are the properties of the copyright holders. I mean in no way to infringe on them. The content is used solely for the purposes of criticism.

03 February 2013

Saturday, December 30, 1995 5:35 a.m.

Mrs. Ozzy Osbourne.
Christmas has come and gone, another day in an unending series of boring days.

The most excitement I've had this holiday season is the nine hits of acid I scored off a co-worker, B_____ J_____ and his girlfriend, S_____. B_____ J_____ looks a bit like Danzig and Ozzy's 40-year-old love child, the kind of guy who would frighten the devil alone in a dark alley. In truth, though, he's a really nice dude who screams with a death metal band or two. You wouldn't know it to look at him, but he went to some expensive private college with a German name: Heidelberg or Otterbein or Wittenberg or something stern-sounding. I've partied quite a lot with them; they don't have a car, so I'm happy to drive them around occasionally, particularly since the drive usually ends in a pile of weed, or, sometimes, blow.

This time, however, it's acid, and after taste-testing the stuff Wednesday night, I do believe that B____J____ beat the shit out of the devil in that alley and stole his best stash. Early in the evening I go see Four Rooms with Steve B_____ and J_____, a great guy who works at the head shop upstairs from the bar. I consider asking J_____ if he'd be into coming back to our place after the movie and tripping, but I'm not sure if he's cool with it. He makes a living selling bongs and rolling papers, so I think he'd probably be into it, but I decide to try it myself first before sharing with anyone. If it's bunk or poison, I don’t want to kill anyone, or their buzz.

One thing is certain—it's not bunk. The trip is intense, dirty and lasts a good twelve hours. I sit in front of the TV, a wide grin plastered to my pallid, sweaty face, and watch twelve straight episodes of Absolutely Fabulous, I think without blinking once. Eventually, now daylight, I move from the living room to my bed to tremble and quake through the coming down process. Seems safe to share, though, so I make a date to share it with F_____ in Louisville next weekend.

Speaking of dates, K_____ called out of the blue about a week ago, “I've had a really bad day. Why don't you come over and bring a bottle of wine?” It's 2 a.m. when she calls and the guys and I aren't really wine drinkers, so there are no liquor stores open and there's no wine in the house. It doesn't matter anyway, because I do not intend to take wine, or even go to her place.

“Sure,” it's the quickest route to get her off the phone. I go back to sleep and stand her up. I don't see her again until last night at work. Her band is the opener and I ask to work the back door so I can be as far away as possible. Eventually, though, I have to switch to the front door and the unavoidable confrontation occurs.

“You blew me off,” she kisses my cheek, the scent of bourbon reaching my face several seconds before her lips. 

Goddammit, why won't you just get pissed, throw a drink in my face like any other self-respecting woman, and storm off? And why am I not drinking bourbon right now?

“I know. It was rude of me. I fell asleep. I'm sorry,” straining to sound sincere.

“It's my fault.”

What? Are you fucking kidding me? I stood you up. Blame me! Then forget me. 

“No. I'm just really fucked up right now. Kinda just want to be by myself,” no straining there—perhaps the most sincere things I've ever said to her.

“I'm fucked up, too,” she volunteers.

“Yeah. I know,” my silent reply.

02 February 2013

Wednesday, April 19, 1995 3:37 p.m.

Ms. Crow and Scout


I think I may be on what one would call a “bender.”

I have been in a constant drug-induced fog for the past few weeks. It’s not unusual for me to be a social drink-and-drugger, but beginning with my birthday, I’ve kicked up the frequency, Kenneth. A woman I work with at the restaurant is a musician who happens to be friends with Sheryl Crow’s drummer. She has backstage passes to hang out after the show, which happens to be the night of my birthday, and brings me along to celebrate.

By the time I’m introducing myself to Ms. Crow, we’ve been drinking quite a bit, so that I smile and tell her, “You’re my birthday present.”  She immediately flies into a rage at one of the sound guys who has just walked in and I meekly drop to the couch and sink in, making myself small. Even her dog, Scout, seems a bit scared and backs up against my leg during this outburst. Everyone is uneasy and silent. Eventually, though, she doubles over with laughter at her out-of-character April Fool’s joke. I’m still shaken, honestly, even after the reveal, so that when I arrive at the late-night birthday party my friends have thrown for me, I am nervous-drinking. Luckily, most of my birthday presents are bottles of liquor, including a bottle of Knob Creek that is quickly drained. Bourbon, I am convinced, is a panacea. Cures what ails ya. And if yer not ailing, it makes everything even better.

From this kick-off celebration on, in moments of lucidity that occur only every other day, I am either smoking weed, drinking, or working.

The real daily haze, however, starts with a rave this past Friday where I do a hit of ecstasy. It is followed by another half-hit the next day for no particular reason other than it’s in my glove compartment and I damn well want it. That night’s entertainment at the club is courtesy of a hit of acid, chased down with a couple of beers and followed by a couple of joints shared between a small circle of friends.  This certainly doesn’t help the severe strep I have developed, but I put that out of my mind, convinced that the prescribed antibiotics I am on will take care of the cause, and the other, non-prescribed substances with which I am self-medicating will take care of the symptoms.

Sunday night, F_____ and I eat some mushrooms before heading to the Connection, which is never really a good idea for a Sunday night (the Connection, not the mushrooms), but what else do you expect us to do? It’s pretty dead, and having not immediately felt the effects of what we begin to suspect was more manure than fungus, we start drinking pretty heavily. Amidst the piss-poor hi-energy house music, the DJ suddenly drops some Traci Lords, which gets us out onto the dance floor, and now that we are moving, the psilocybin makes its way through our systems to find our pleasure centers, and we are soon both tripping balls and drunk.

On the one hand, I tell myself that this binge is because I am moving from Louisville next month and I want to go out with a bang. In truth, I’ve been avoiding staying at my apartment. I’ve been avoiding J_____. Our friendship has deteriorated in a matter of months and it’s mostly my fault. But, I’m tired of having to lie for him, to deny the steady string of women coming and going through his bedroom door whenever his girlfriend asks. And, she asks repeatedly.

In truth, I’m probably jealous of him. And of them. I suspect this because I used to have no problem lying to protect him; the problem is, I was also lying to myself.

He doesn’t give a shit about me.

17 January 2013

soundtrack series

An archive that even Derrida would become feverish over.

I have begun to archive my series of soundtrack Facebook posts to Pinterest. These consist of a link to a music video on YouTube and a brief caption, generally in the same format each time: "Tonight's -blank- soundtrack" or "Today's -blank- soundtrack." The -blank- is whatever I am doing, thinking, or feeling at that moment.


I considered just building a YouTube playlist out of them and sharing it; but, the source material is from YouTube, and the channel of distribution is Facebook, so I feel strongly that the means of archival must be some other outlet of social media. Pinterest has generally been used to collect still images from the Web, so using it to "pin" video is in keeping with my interest in misusing social media. As I archive each soundtrack post, I delete the original from Facebook with all of its comments, defying Facebook's inborn archival characteristics and supporting my virtual enlightenment project.

21 November 2012

Coulrophobia Détournement Double (with Betty Wut)

The rules by which she and I will each construct a détourned video on the same theme:
  1. Video must be accompanied by any version of "Send in the Clowns," legally purchased from Google Play,  iTunes, AmazonMP3,   eMusic .
  2. Can include audio from other clips (of no longer than :30) but the total work cannot exceed the run-time of the selected song.
  3. Must include some portion of the video: http://www.youtube.com/watch?v=W2nK_qmvJ7A, but each clip can be no more than :30 in run-time before transitioning to another.
  4. Can include video from other clips found only on YouTube, but each can be no more than :30 before transitioning to another.
  5. Finished work must be uploaded for public view on YouTube with their standard license selected and a purchase link back to the song included.
If anyone else is reading and wants to participate, please do! I would love to see what you come up with and post links to your work on YouTube.